"The form of his pictures is so perfect for the conflicting voices, the mayhem going on: the rich, the poor, the homeless broken people, the beautiful women in miniskirts, the famous people, the casual passersby—you believe everything’s there. His energy and artistry were so extraordinary you almost begin to wonder if he did not bend the moment to his will. Which, in a way, he did. I wonder if he knew how wonderful that was, how profound. I hope he knew.”
– Paul Graham on the Winogrand retrospective at The Metropolitan Museum of Art
Read the full article here in The New Yorker.
Honored to be grouped with so many fantastic photographers – Thanks again Fotofilmic!